封面图说明|
秋日的多瑙河缓缓流过乌尔姆,
ULMER SPATZ 载着乘客驶过水面,
这艘经过重新改造的老船,
继续以另一种方式留在河上。
全文图片来源:Ning Huang 黄甯摄于德国乌尔姆水路田野,掌舵照片由船长 Manfred Cesare 拍摄,2026年10月3日。
引文|有些船带人去一个地方,有些船让人终于能够出发
时间:2026年10月03日 (六)
行程|乌尔姆 · 多瑙河游船
Ulmer Spatz – Donauschifffahrt & Rundfahrten in Ulm

有些船载着人出发,
有些船打开自己的空间,
让更多的人走进航行。
原本只是来乌尔姆坐船,
沿着多瑙河,走一个小时,
看看河岸怎样经过城市,
也看看乌尔姆怎样面对这条河。
上船以后,我才慢慢发现,
这里留下的不只是轮椅位置,
不同的人在这里一起工作,
也一起维持一艘船的航行。
这艘船曾经老去,也曾被修复,
有人重新整理它的船体,
有人让它再次回到多瑙河,
而包容(Inclusion),也被做进了这艘船里。
于是,上船有了不同的意思,
有人登船,是为了成为乘客,
有人来到这里,是为了工作,
而一艘船,也因此继续出发。
一、谁可以成为一艘船的一部分
真正的包容,
不只让人登上一艘船,
也让不同的人参与其中,
成为这艘船生命的一部分。
1. 从修船开始
2013年,这艘船需要修复,
生命之友协会 (Lebenshilfe Donau-Iller e.V.) 接下了这艘老船,
修复工作也进入自己的工场,
不同的人,开始一起修船。
有人拆除老旧的部分,
有人重新整理船体与船舱,
专业人员带着工场员工参与,
一艘旧船,慢慢恢复了生命。
这场修复持续了大约两年,
设备与船内空间陆续更新,
无障碍设施也被纳入改造,
老船终于重新回到河上。
2. 从修船的人,到船上的人
可是,事情没有停在修复,
船回到多瑙河以后,
不同能力的人继续参与工作,
也成为这艘船上的一员。
有人准备船上的空间,
有人协助乘客安全登船,
有人参与每天的船务与运行,
工作,也跟着船驶上了河。
于是,包容不再只是设施,
它从工场进入一艘船,
又从修复走向日常工作,
最后,成为航行的一部分。
3. 当登船的方式改变
我上船时,看见几级阶梯,
它们原本横在入口中央,
船长动手把阶梯慢慢收起,
眼前,很快出现一块平台。


图:活动阶梯收起以后,船舱入口形成平整的平台。
这个动作其实并不复杂,
改变的却是进入船舱的方式,
原本需要跨越的几级阶梯,
可以在需要的时候消失。
船上共有三十二个座位,
另外保留两个轮椅位置,
不同身体条件的人来到这里,
都有自己的位置可以停留。
到了这里,我才真正明白,
这艘船特别的并非一项设备,
包容早已从修复开始发生,
又一路来到乘客面前。
有人修船,有人在这里工作,
有人沿着平台进入船舱,
每个人参与船的方式不同,
却都能成为航行的一部分。
无障碍改变的不只是一艘船,
而是谁拥有进入河流的可能。
真正的包容,
不只让人登上一艘船,
也让不同的人参与其中,
成为这艘船生命的一部分。
二、一艘老船,怎样继续航行
保存一艘船,
不一定要让它停下来,
旧的船体可以留下,
新的技术让它继续航行。
1. 一艘1933年的工作船
船舱里,留着一份旧资料,
上面写着它最初的名字,
那时,它还叫 Deutschland,
也是一艘真正工作的船。
1933年的资料记载,
它装着一台 Junkers 柴油机,
动力只有三十匹马力,
最高时速约二十公里。
九十多年过去以后,
船体仍然留在水面上,
里面的机器却不断改变,
时间,没有停在1933年。


图:1933年的历史资料与船厂铭牌,留下这艘船最早的技术身份。
2. 地板下面,是今天的船
船长在航行结束后打开了地板,
我也跟着低头往下看,
机器、管线与线路藏在下面,
另一艘船,像被打开了。

图:船舱地板打开以后,今天仍在工作的机械系统出现在眼前。
旧资料写着 Junkers 柴油机,
今天看到的已经是 Volvo Penta,
发动机藏在老船体深处,
继续把它推向多瑙河。



图:新的发动机进入老船体,让九十多岁的船继续工作。
驾驶台也是同样的画面,
木舵轮还留在中央,
旁边已经加入电子仪表,
几个技术年代,就这样并存。


图:木舵轮、老式控制装置与现代仪表,共同组成今天的驾驶台。
3. 三分钟,船没有立刻回答我
后来,船长给我戴上船长帽子,把我拉到木舵轮前,
舵手让我顺着船艏的链条看向前方,
不要只盯着手里的舵,
而要找到远处的目标。
前方是一座正在接近的桥,
桥中央有一道绿色标示,
我要让船保持那个方向,
再观察船首有没有偏离。

我握住舵,也真的转了,
可是船没有马上回应,
它不像汽车那样立刻转向,
我第一次感觉到了等待。

图:第一次在多瑙河上掌舵,前方的桥成为判断航向的参照,拍摄者:船长 Manfred Cesare。
短短三分钟里面,
我先看,再判断方向,
发现偏差以后,再动舵修正,
然后等待船慢慢回答。
最后,舵手 Klaus Schneikart 接回了舵轮,
我的第一次掌舵也结束了,
船仍然沿着多瑙河向前,
我却第一次知道船怎样回应人。
汽车回应驾驶者的动作,
船回应的是判断。
我握住舵,也真的转了,
可是船没有马上回应,
我第一次感觉到了等待。
4. 让旧船继续工作
这艘船没有停进展示馆,
也没有被固定在某个年代,
船体留下九十多年的时间,
机器却随着需要不断更新。
旧舵轮还可以继续转动,
新的发动机继续提供动力,
现代仪表帮助今天的人航行,
旧与新,共同维持一艘船。
保存一艘仍在航行的船,
有时不是让时间停下来,
而是不断修复与更新以后,
仍然让它回到河上航行。
三、河上的乌尔姆,从船上重新出现
城市站在岸上,
河流经过城市,
而当我坐上船,
它们重新有了方向。
1. 当城市转向河流
船离开 Friedrichsau,
城市慢慢从树木后面出现,
街道看不见了,
留下来的,是一整条河岸。
教堂尖塔升到屋顶之上,
城墙沿着多瑙河展开,
房屋一栋接着一栋,
水面,又把城市接了一次。

图:从多瑙河上望向乌尔姆老城,教堂尖塔、城墙与倒影沿着河岸展开。
2. 城墙,从水面重新出现
船继续沿着河岸前进,
砖墙也跟着延伸,
今天看来安静的河岸,
曾经也是城市防御的一部分。
十九世纪的乌尔姆,
建起庞大的联邦要塞体系,
防御设施围绕两座城市展开,
多瑙河,也进入这套结构。
如今,防御的功能退去了,
城墙却还留在河边,
船从它的脚下缓缓经过,
过去的边界,成了今天的风景。
3. 有人曾经想飞过这条河
接着,我们看见一座螺旋塔,
红白结构绕着天空向上,
它站在 Adlerbastei 上,
也站在一次飞行实验的原点。
1811年,Berblinger 来到这里,
他想从城墙飞越多瑙河,
那一次飞行没有成功,
人却没有忘记这场尝试。

图:Berblinger-Turm 立在多瑙河岸,纪念1811年从这里开始的一次飞行尝试。
两百多年以后,
我坐着船经过这里,
抬头看见那座螺旋塔,
河还在下面继续流。
他曾经想飞过这条河,
我却从河上回望他的起点,
同一个地方,
因为位置不同,有了另一种故事。
4. 河上,还有另一种乌尔姆
航程继续向前,
岸边出现另一种船,
黑白相间的船身很低,
那是乌尔姆盒子船的模样。
这种船曾沿多瑙河而下,
载着货物,也载着人,
它们顺着水流前往远方,
许多航程,却没有回来。

图:从 Ulmer Spatz 上望见河岸的乌尔姆盒子船,今天的游船与过去的多瑙河航运在水面相遇。
我坐的是 Ulmer Spatz,
眼前却出现 Ulmer Schachtel,
一艘属于今天,
一艘把记忆带回更早的河流。
乌尔姆的麻雀也来自故事,
传说它衔着一根细枝,
让人们学会改变木料方向,
终于把长木料送进城门。
一只麻雀改变了方向,
一艘叫麻雀的船,
也让我从河面出发,
重新看了一次乌尔姆。
尾之声|谁能够上船
河流一直都在那里,
真正改变的,
是来到河上的方式,
以及能够来到这里的人。
一个小时以后,
Ulmer Spatz 回到 Friedrichsau,
我看过城墙,也看过老城,
还从河上经过一段段往事。
可是下船以后,
真正留下来的并不是景点,
而是这艘小船提出的问题,
谁,能够成为航行的一部分。
有人曾经参与修复,
有人今天在船上工作,
有人沿着平台进入船舱,
不同的人,都来到同一条河上。
一艘船能载多少人,
这是容量与技术的问题,
一艘船为谁留下位置,
却决定了谁能够一起出发。
一艘真正属于城市的船,
应该让更多的人,
能够走到河边,
也能够抵达水面。
后记|考烈王、黄歇与令尹夫人的观后感
谁,才算这艘船上的人
考烈王站在船舱里,
回头看了看那组活动阶梯,
又看向刚刚打开的地板:
“这艘船已经这么老了,
为什么还让它继续航行?”
黄歇摸了摸木舵轮:
“因为有人修它,
有人照顾它,
也有人让旧的船体,
继续跟今天的机器一起工作。”
考烈王又问:
“所以留下这艘船,
就是为了保存过去?”
我摇摇头:
“它没有停在岸上,
也没有被放进博物馆,
每天还有人在这里工作,
还有乘客从这里出发。”
黄歇转身看向入口:
“可是刚才那几级阶梯,
为什么忽然收起来了,
又变成一块平的平台?”
我指着船舱里的位置:
“因为不是每个人,
都能用同一种方式上船,
有人可以跨过阶梯,
有人需要另一条路。”
考烈王想了一会儿:
“那多造一条路,
就是你们说的包容?”
黄歇却摇了摇头:
“恐怕还不只是如此,
如果只是多一条坡道,
改变的只是入口,
还没有改变这艘船。”
我看着他们:
“当年修复这艘船时,
不同能力的人一起参与,
船重新回到河上以后,
他们也继续在这里工作。”
考烈王这才抬起头:
“所以有人修船,
有人在船上工作,
也有人因为这些改变,
终于能够成为乘客。”
黄歇笑了:
“看起来是三件事,
其实都在问同一个问题,
一艘船的生命里面,
究竟可以容纳哪些人。”
我想起刚才的三分钟,
自己的手也曾握住舵轮,
船没有立刻听我的话,
却让我短暂进入它的航行。
考烈王看着我:
“所以你今天上船,
最后记住的不是乌尔姆,
也不是那座城墙?”
我望向窗外的多瑙河:
“城墙当然记得,
那座螺旋塔也记得,
可是更让我记住的,
是这艘船怎样继续活着。”
黄歇望向正在靠岸的船头:
“一艘旧船继续活着,
靠的从来不只是机器,
还要有人愿意修它,
愿意工作,也愿意改变。”
考烈王最后问:
“那么谁,
才算这艘船的一部分?”
船已经回到 Friedrichsau,
有人准备缆绳,
有人等待下船,
下一批乘客也在岸边等候。
我看着重新打开的入口:
“也许答案就在这里,
参与的方式可以不同,
但每一个被留下的位置,
都让这艘船多一种生命。”
有人修复一艘船,
有人让它继续工作,
有人终于能够登上它,
他们都参与了它的生命。
真正的包容,
不只是打开一道入口,
而是让更多的人,
能够成为其中的一部分。
Appendix|English Narrative Overview
A Boat That Lets Everyone Come Aboard | Ulmer Spatz, Ulm
Some Boats Take People Somewhere. Some Boats Make It Possible to Depart.
I came to Ulm expecting to spend an hour on the Danube. I wanted to watch the river pass through the city and to see how Ulm presents itself from the water. Once aboard, however, I gradually realised that the most important story of the Ulmer Spatz was not simply the route she travelled.
There were spaces for wheelchair users and systems that changed how people could enter the passenger cabin. People with different abilities worked aboard the vessel and helped keep her operating. This was also an old ship that had once needed restoration. People had repaired her, brought her back to the Danube and made inclusion part of the vessel itself.
Boarding therefore began to mean more than becoming a passenger. Some people came aboard to travel. Some came aboard to work. Others had helped make it possible for the ship to sail again. The story of the Ulmer Spatz became a question: Who can become part of the life of a ship?
Who Can Become Part of a Ship?
The story begins with restoration. In 2013, Lebenshilfe took over the ageing vessel, which required extensive work. The restoration became part of the organisation’s workshop activities: old components were removed, the hull and passenger spaces were refurbished, professional staff worked together with workshop employees, and accessibility was incorporated into the reconstruction. The process took around two years before the vessel returned to the Danube.
But the story did not end when the repairs were finished. People with different abilities continued to participate in the everyday work of the ship. They prepared spaces, assisted passengers and took part in the routines that allow the vessel to operate. Inclusion therefore moved from the workshop into the working life of the vessel, and from there to the passengers.
I saw this most clearly at the entrance to the cabin. At first, several steps stood in the way. Then the captain folded the steps away, and a flat platform appeared. The movement was simple, but what it changed was fundamental: the way a person could enter the ship. The Ulmer Spatz provides thirty-two passenger seats and two spaces for wheelchair users.
The point is not simply that the ship contains accessible equipment. Someone repairs the ship. Someone works aboard her. Someone enters through an adapted access system. Their forms of participation are different, yet all of them can become part of the same voyage.
How Does a Ship Built in 1933 Keep Sailing?
The Ulmer Spatz also carries another story: the survival of the ship herself. A historic document aboard records her earlier identity. She was once called Deutschland. According to the 1933 document, the vessel was equipped with a Junkers diesel engine producing thirty horsepower and could reach approximately twenty kilometres per hour.
More than ninety years later, the hull is still on the water, but the machinery inside it is no longer the machinery of 1933. After the cruise, the captain opened sections of the cabin floor. Pipes, cables and mechanical systems appeared beneath the wooden interior. It felt as though another ship had suddenly been opened underneath the one I had been travelling on.
The old document mentions a Junkers diesel engine. Today, a Volvo Penta engine sits inside the old hull. The wheelhouse tells the same story in another way: a wooden wheel remains at its centre, older controls survive beside it, and modern electronic instruments have been added around them. Several technological periods now occupy the same working space.
The Ulmer Spatz has therefore not survived by remaining unchanged. Parts have been preserved, other parts have been replaced, and new systems have entered an old hull. The result is not a ship frozen in 1933. It is a ship from 1933 that can still work today.
Three Minutes at the Wheel
Then the captain brought me to the wooden wheel and let me steer for three minutes. The helmsman told me not to stare at my hands but to look ahead. A green marking on the bridge in front of us became my reference point. I had to keep the vessel aligned toward it and watch whether the bow began to drift away from the intended course.
I turned the wheel, but the ship did not answer immediately. That was when I noticed something I had never experienced in a car: there was a delay between my movement and the response of the vessel. I had to look, judge, make a correction and then wait. Only after waiting could I see what the ship had done.
For three short minutes, steering became a sequence: observe, judge, correct, wait. Then the helmsman took the wheel back, and the Ulmer Spatz continued along the Danube. I had learned something through my own hands: a ship does not simply obey a movement. The person steering has to learn how to read the vessel’s response.
Perhaps this is another way to understand the preservation of a working ship. Preservation does not always mean stopping time. Sometimes it means repairing, replacing and adapting enough that an old vessel can return to the work for which a ship exists: to sail.
Ulm Reappears from the River
Once the Ulmer Spatz left Friedrichsau, the city began to rearrange itself. From the street, Ulm is connected by roads, squares and buildings. From the river, those connections disappear. Streets retreat behind the houses, the church spire rises above the roofs, the city wall stretches along the Danube, and the water reflects the whole city once again.
From the ship, Ulm is no longer organised primarily by streets. It is organised by water.
The walls along the river tell another story. In the nineteenth century, Ulm became part of an extensive federal fortress system surrounding Ulm and Neu-Ulm. What appears today as a quiet riverbank once belonged to a landscape of defence. The defensive function has receded, but the walls remain. A former defensive edge has become part of the view from the river.
Then a red-and-white spiral structure appeared above the wall: the Berblinger Tower. The site recalls the attempt made in 1811 by Albrecht Ludwig Berblinger, the famous “Tailor of Ulm”, to fly across the Danube from the city fortifications. The attempt failed, but the story remained. More than two centuries later, I passed the place from below. Berblinger had once looked across the river and imagined flying over it; I sat on a boat and looked back toward the place from which he had tried to leave the ground.
The location was the same. The perspective had changed. And with a different perspective came a different story.
Another Ulm Appears on the Water
Farther along the route, another kind of vessel appeared on the bank. Its long, low, black-and-white form recalled the Ulmer Schachtel. These traditional boats once travelled downstream along the Danube, carrying goods and people toward distant destinations. Many of those journeys were one-way voyages.
I was travelling aboard the Ulmer Spatz, while in front of me was an Ulmer Schachtel. One belonged to the river as I was experiencing it that day. The other carried the memory of a much older Danube world.
Even the name Ulmer Spatz carries the city’s memory. According to the familiar Ulm legend, a sparrow carrying a twig lengthwise showed townspeople how long timber could be turned and taken through a narrow city gate.
A sparrow changed the direction of a piece of wood. A ship named after that sparrow changed my direction of looking. From the river, I saw Ulm again.
Who Is Able to Come Aboard?
An hour later, the Ulmer Spatz returned to Friedrichsau. I had seen the old city from the water, passed its walls, looked up at the Berblinger Tower and encountered traces of older Danube navigation. Yet after leaving the ship, those were not the things that stayed with me most strongly.
What remained was a simpler question: Who is able to become part of a voyage?
Some people participated in restoring the ship. Some work aboard her today. Some enter the cabin through an access system designed around bodies that cannot all use the same stairs. Different people arrive at the same river in different ways.
How many people a vessel can carry is a question of capacity and technology. For whom a vessel makes room is a different kind of decision.
A ship that truly belongs to a city should allow more of its people not only to reach the riverbank, but to reach the water itself.
Across Civilizations
King Kaolie stood inside the cabin and looked back at the movable steps, then toward the floor panels that had just been opened. “This ship is already so old,” he said. “Why do they still make it sail?”
Lord Chunshen Huang Xie placed his hand on the wooden wheel. “Because people repair it,” he replied. “People take care of it, and people make it possible for an old hull to continue working with the machines of today.”
“So preserving the ship means preserving the past?” the king asked.
I shook my head. “It has not been left on the bank, and it has not been placed inside a museum. People still work here. Passengers still depart from here.”
Huang Xie turned toward the entrance. “But those steps,” he said. “Why did they suddenly disappear and become a flat platform?”
“Because not everyone can enter a ship in the same way,” I replied. “Some people can climb the steps. Others need another route.”
King Kaolie thought for a moment. “So building another way in is what you call inclusion?”
Huang Xie shook his head. “I suspect it goes further than that. If all that changed were the entrance, then only the entrance would have changed. The ship itself would remain the same.”
I looked at them. “When this vessel was restored, people with different abilities took part in the work. After the ship returned to the river, they continued to participate in its working life.”
The king looked up. “So some people repair the ship, some work aboard it, and because of these changes, others can finally become passengers.”
Huang Xie smiled. “They appear to be three different things. But perhaps they are all asking the same question: Whom can the life of a ship include?”
I remembered my three minutes at the wheel. My own hands had held the wooden wheel. The vessel had not immediately obeyed me, yet for a brief moment, I too had entered its working movement.
“So after everything you saw today,” King Kaolie asked, “what will you remember? Not Ulm? Not the city walls?”
“I will remember those too,” I said. “And the spiral tower. But what stays with me most is how this ship continues to live.”
Huang Xie looked toward the bow as the vessel approached the landing stage. “An old ship does not remain alive through machinery alone. Someone must be willing to repair it. Someone must be willing to work aboard it. And someone must be willing to change it.”
The king asked one final question. “Then who truly counts as part of this ship?”
The Ulmer Spatz had returned to Friedrichsau. Someone prepared the ropes, passengers waited to disembark, and another group stood on the bank.
I looked toward the entrance as it opened again. “Perhaps the answer is here. People do not have to participate in the same way. But every place deliberately made for another person gives this ship another way to remain alive.”
Some people restore a ship. Some keep her working. Some are finally able to come aboard. All of them participate in her life.
Inclusion is more than opening an entrance. It changes who is able to become part of the life of a ship.
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