Autor: 黃甯 (Ning Huang)

马王堆三号墓出土的四卷帛书——《导引图》《老子》《天文气象杂占》和《五星占》，构成了承续战国楚学传统的西汉早期“天人修行系统”。从调息内气的导引，到观星定序的天文，丝帛上的每一笔线条，既描写身体的运行，也对应星辰的轨迹。它不是哲学的抽象，而是一种可实践的宇宙观：人身为地，气脉通天，在一匹丝的经纬之间，藏着早期中国文明对“天地一体”的全部想象。// The four silk manuscripts unearthed from Mawangdui Tomb No. 3 — "The Daoyin Chart", "The Laozi", "Astronomical and Meteorological Divinations", and "Divinations of the Five Planets" — form an early Western Han system of body–cosmos cultivation that continued the spiritual tradition of the Chu culture. Daoyin breathing and stretching practices to the celestial observations that marked the seasons, every brushstroke on the silk depicts both the movement of the body and the path of the stars. It is not abstract philosophy but a living cosmology: the human body mirrors the earth, the vital energy links to the sky, and within one piece of silk lies the ancient imagination of the unity between heaven and humankind.

帛画并非“画”，而是楚人所绘的灵魂升天导航图。本篇聚焦两种图像宇宙：其一，楚图——人物御龙、龙凤交游、云气召神；其二，汉图——天地三界、尸寝星行。我们对照两种“帛上升天术”：楚图如咒、如召、如乘风归魂；汉图如典、如制、如礼序安灵。帛，是神之衣，也是魂之梯。文明曾在帛上画天，如今在图中归来。// Silk paintings were never mere "paintings" — they were celestial navigation charts for the soul. This entry focuses on two cosmic visions: the Chu image, where figures ride dragons, phoenixes cross the clouds, and divine vapors rise; and the Han image, where heaven, earth, and the underworld form a structured cosmos with the body at rest and the spirit ascending among the stars. These represent two "silk-bound arts of ascension": the Chu vision as incantation, invocation, and wind-borne return of the soul; the Han vision as canon, order, and ritual repose of the spirit. Silk is both the robe of gods and the ladder of souls — once the ancients painted heaven upon it, and now, through these images, that heaven returns.

楚帛书出土于1942年9月长沙子弹库1号楚墓，是中国已知最早的丝帛文献，也是战国时期唯一出土的帛书。全书分为《四时令》《五行令》《攻守占》三卷，共九百余字，图文并茂，以四方、四时与阴阳五行构建宇宙秩序。本文探问楚人如何在丝上书写时间，也在时间中书写自己。// The Chu Silk Manuscripts, unearthed in September 1942 from Tomb No. 1 at the Bullet Depot site in Changsha, are the earliest known silk texts discovered in China and the only silk manuscripts from the Warring States period. They comprise three scrolls — "The Ordinance of the Four Seasons", "The Ordinance of the Five Phases", and "Divinations on Attack and Defense" — totaling over nine hundred characters. Combining text and illustration, they present a cosmic order built upon the four directions, the seasons, and the interplay of yin and yang within the five elements. This piece explores how the Chu people wrote time upon silk, and how, through time, they wrote themselves.

在荆州的泥土深处，楚人的文字沉睡千年。它们不是被时间遗忘，而是被封存在潮湿的地脉，等待在纪南古城的心跳之中。《楚简越千年》第五集《一脉相承》以“城市的回声”为主轴，展开一场从竹简到奖牌、从学术到生活的文明再生——马拉松奖牌、非遗文创、书法课堂、光影舞台，楚简以新的方式走入我们的时代。我们开始明白：文明不是静止的遗产，而是仍在跳动的心。听见心跳，楚在呼吸。// Beneath the soil of Jingzhou, the characters of the ancient Chu have slept for millennia. They were not forgotten by time but sealed within the damp veins of the earth, waiting in the heartbeat of the old city of Jinan. Episode Five of “Across a Thousand Years of Chu Bamboo Slips” — “A Line Unbroken” — takes “the city’s echo” as its theme and traces the living revival of civilization: from bamboo slips to marathon medals, from scholarship to daily life. Through heritage crafts, calligraphy classes, and stage performances, the Chu slips return in new forms to our age. Gradually, we understand that civilization is not a silent relic, but a heart still beating. To hear its pulse is to know — Chu still breathes.

竹简再现人间，不靠奇迹，而靠一双双手。在荆州，从潘灯的研读与汇编楚文字，到黄有志的简牍复制，再到李胜洪的楚简书帖与孩子们的笔尖，文字的温度在指纹间延续。它们不再沉睡于墓葬，而在众手之书中醒来——三个荆州人以手为声，让文明重新被听见。// The return of the Chu bamboo slips to the human world is not a miracle, but the work of many hands. In Jingzhou, from Pan Deng's compilation of Chu characters to Huang Youzhi's reproduction of bamboo slips, from Li Shenghong's calligraphy of Chu texts to the young students writing with their own brushes, the warmth of words continues through fingertips. No longer buried in tombs, these slips awaken in the hands of people — three artisans of Jingzhou whose hands became voices, allowing civilization to be heard again.

纪录片《楚简越千年》第三集，以荆州文物保护中心的两位文保工作者——吴顺清、方北松——为叙事主轴，呈现从“干缩竹简润胀复形技术”到“脱色脱水工艺”的文明修复过程；并记录方北松九年修复长沙走马楼吴简、及长沙简牍博物馆建立的历程。以科学与匠心，让沉睡千年的楚简再度开口，见证文字的再生与信史的复苏。// The third episode of "Across a Thousand Years of Chu Bamboo Slips" follows two cultural conservators at the Jingzhou Cultural Relics Protection Center — Wu Shunqing and Fang Beisong — whose work reveals the scientific artistry behind civilization’s renewal. From the rehydration and reshaping of dry-shrunken slips to decolorization–dehydration procedures, and from Fang Beisong’s nine-year restoration of the Zoumalou Wu Slips in Changsha to the founding of the Changsha Bamboo Slips Museum, the film traces how science and craftsmanship let the sleeping Chu slips speak again, witnessing the rebirth of writing and the revival of historical truth.

曾被视为南方蛮夷之地的楚国，却以竹简书写司法判决、九九口诀、战争誓词、祖灵祭语，甚至可能失传的《乐经》节奏符号——从秦家嘴、望山桥到王家嘴，这些残破却精准的文字碎片，构成了文明秩序最早的律动回响。一场从微观日常延伸至国家系统、从死者书写重构生者节奏的楚简修复，正在悄然展开。// Once regarded as a land of southern "barbarians," the Chu state recorded its world on bamboo slips — judicial verdicts, numerical formulas, military oaths, ancestral invocations, and even rhythmic symbols from a possibly lost "Classic of Music". From Qin-jiazui to Wang-shan Bridge and Wang-jiazui, these fragmented yet precise traces of writing form the earliest pulse of civilized order. A restoration is quietly unfolding — one that extends from daily life to the machinery of the state, from the writings of the dead to the renewed rhythms of the living.

从荆州王家嘴到秦家嘴，一支支竹简从泥土中重见天光。它们不是考古的残片，而是被封存千年的文明记录。《楚简越千年》第一集《一简千年》，以“听见文字”为起点，探问楚人如何在竹片上书写律令、诗歌与日常——那些笔痕仍带着体温，如今化作重新被聆听的节奏。// From Wang-jiazui to Qin-jiazui in Jingzhou, bamboo slips long buried in the earth have returned to light. They are not relics of archaeology but records of a civilization sealed for millennia. Episode One of "Across a Thousand Years of Chu Bamboo Slips" — "One Slip, One Millennium" — begins with the act of listening to writing, exploring how the Chu people inscribed laws, poems, and daily life upon bamboo. The traces of their brushes still carry warmth, now heard again as the rhythm of a living past.