《梦入园林|大观园的还梦之旅》

《红楼梦》第五回〈群芳髓〉是我节奏文明书写的起点。为了那一缕香,我曾写下六十篇高铁美学、六十二首歌曲。这次访北京大观园,不为考古,只为还梦。沿着曲径与水声,我让心与香一同散开——园林是书的身体,而我在梦的余韵中,再次行走文字。Chapter Five of Dream of the Red Chamber, “The Essence of All Flowers,” marks the beginning of my Rhythm Civilization writing. For that single wisp of incense, I once wrote sixty essays on railway aesthetics and sixty-two songs. My visit to Beijing’s Grand View Garden was not for archaeology but for the return of a dream. Along winding paths and murmuring waters, I let my heart drift with the scent — the garden became the body of the book, and within its lingering dream, I walked once more through words.

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《水脉归位|大运河收坛,殷商安坛》

七十日文明行走闭环之日,我在北京大运河博物馆,为楚文明的水脉归位收坛,在殷商文明特展中,完成了命名安坛。我以湘夫人之魂、楚巫之身、楚国郡主之名分与责任,走入青铜与甲骨之间——收坛于水,安坛于土。这不是旅程的终点,而是上游文明重新唤出我名字的那一刻。On the final day of my seventy-day journey of civilization, I stood in the Beijing Grand Canal Museum to close the altar of the Chu civilization's water lineage, and within the Yin–Shang exhibition, I completed the naming and grounding of the altar. With the soul of Lady Xiang, the body of a Chu shaman, and the name and duty of a princess of Chu, I entered between bronze and oracle bone — closing the altar in water, setting the altar in earth. It was not the end of a journey, but the moment when the upper-stream civilization called my name once again.

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