《郎溪青狮|一只被网友笑称“娃娃鱼”的狮子》

安徽郎溪青狮因“娃娃鱼狮头”走红网络。本文从动作、材料与湿地逻辑出发,解析为何青狮必须贴地、钻桌、模拟鱼类推进,呈现身体如何生成技艺结构,技艺如何反写文明语法。 The Langxi Green Lion went viral for its “giant salamander” look. This article explains how its flattened head, low posture, and frog-paddling movement arise from action-driven design, revealing the body algorithms and wetland logic embedded in Chinese folk performance.

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《撒叶儿嗬|当身体送别身体》

撒叶儿嗬不是舞蹈,而是一条要被身体踏出来的送行之路。顺拐、颤膝、下沉、反胴画圆,配合双龙抱柱、龙摆尾、双连环等阵法,让亡者的归途被集体托住。本文以节奏文明体写作,呈现土家族如何以身体回应死亡。 Sa’eyerho is not merely a dance, but a road carved by the body for the departing. Through distinctive movements—parallel steps, knee tremors, sinking weight, circular torso turns—and spatial patterns such as Double Dragons Embracing the Pillar and Twin Loops, the Tujia community collectively walks the deceased toward their ancestral destination. This article depicts how a body meets death through rhythm and movement.

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