Tagesarchive: 17. Oktober 2025

竹简再现人间，不靠奇迹，而靠一双双手。在荆州，从潘灯的研读到黄有志的复刻，从李胜洪的书帖到孩子们的笔尖，文字的温度在指纹间延续。它们不再沉睡于墓葬，而在众手之书中醒来——以手为声，让文明重新被听见。The rebirth of the bamboo slips came not from miracles, but from hands. In Jingzhou, from Pan Deng’s study to Huang Youzhi’s restoration, from Li Shenghong’s calligraphy to children’s trembling strokes, the warmth of writing lives within the touch of human fingers. No longer buried in tombs, the Chu scripts awaken—speaking once more, through the hands of civilization.

纪录片《楚简越千年》第三集，以荆州、长沙两地文保人的一生为叙事主轴，呈现从“干缩竹简润胀复形技术”到“脱色脱水工艺”的文明修复奇迹。以科学与匠心，让沉睡千年的楚简再度开口，见证文字的再生与信史的复苏。Episode III of "Chu Bamboo Slips Across a Thousand Years" follows the devoted conservators in Jingzhou and Changsha who have dedicated their lives to reviving bamboo slips buried for more than two millennia. Centered on the breakthrough Dimensional Re-expansion and Reshaping of Desiccated Bamboo Slips (Chinese: “干缩竹简润胀复形技术”), and complemented by decolorization and dewatering protocols, the film shows how patient science restores not only artifacts, but the living pulse of Chinese written civilization.

曾被视为南方蛮夷之地的楚国，却以竹简书写司法判决、九九口诀、战争誓词、祖灵祭语，甚至可能失传的《乐经》节奏符号——从秦家嘴、望山桥到王家嘴，这些残破却精准的文字碎片，构成了文明秩序最早的律动回响。一场从微观日常延伸至国家系统、从死者书写重构生者节奏的楚简修复，正在悄然展开。Once dismissed as a southern barbarian land, the Chu Kingdom recorded legal verdicts, multiplication chants, war poems, ancestral invocations, and even rhythm codes that may belong to a lost Book of Music, all onto fragile bamboo slips. From Qin-jiazui to Wang-jiazui via Wangshanqiao, these fragmented yet precise scripts reveal the earliest pulses of a civilizational rhythm. A meticulous restoration of this microcosmic order—bridging the dead and the living—is quietly underway.