《诸神复活》| 楚辞 · 九歌 · 屈原
《諸神復活》是一場穿越時空的節奏召喚，以《楚辭·九歌》為原型，結合AI譜曲與人類感知，為十一位沉睡兩千年的神祇重塑聲音與節拍。這不僅是音樂計劃，更是節奏文明觀的一次實驗性實踐：在語言平面化與文化碎片化的時代，以節奏為線索，重建文明的深層律動。每一首歌對應一位神明的獨特節奏結構，從東皇太一的宇宙初響，到湘夫人的香霧回身，皆為文化之“呼吸”再生的回聲。當神祇沉默了兩千年，我們是否還能聽見他們的聲音？這篇博客，記錄的不只是創作過程，而是一場關於文明節拍能否被再次聽見的實驗與提問。“Resurrection of the Gods” is a rhythmic invocation across time and space, inspired by The Nine Songs from The Songs of Chu, integrating AI-generated compositions with human sensibility. It reawakens divine voices that have slumbered for two millennia, reshaping sound and rhythm. More than a musical project, it is an experiential practice of Rhythm Civilization: in an age flattened by language and fragmented by culture, it seeks to restore the deep pulse of civilization through rhythm and resonance. Each song corresponds to a deity, forming unique rhythmic structures — from the cosmic resonance of the Sun Emperor to the fragrant return of the Lady of the Xiang River — all echoing the rebirth of cultural “breath.” If the divine voices have been silent for two thousand years, can we still hear their echoes now? This blog records not merely a creative process, but an experiment and inquiry into whether the pulse of civilization can still be heard through rhythm itself.