非遗，节奏文明，广州，粤剧艺术博物馆，永庆坊，红线女，粤剧

在广州永庆坊，我走进粤剧艺术博物馆。我不是为了看展，而是来对那些戏服、锣鼓与衣箱轻声说话。红线女的唱腔仍在，她未唱完的那一句，我愿续下去。我播放《湘夫人》，不是为了演出——而是为了让这座城市记得：岭南的节奏，还在每日吐纳。At Yongqing Fang in Guangzhou, I stepped into the Cantonese Opera Art Museum. I was not there to see an exhibition, but to speak softly to the costumes, drums, and wooden chests. The voice of Hung Sin Nui still lingers — the line she left unfinished, I am willing to continue. I played "Lady Xiang," not as a performance, but to remind the city that the rhythm of Lingnan still breathes every day.