节奏文明，楚文明，楚文化，楚帛画

帛画并非“画”，而是楚人所绘的灵魂升天导航图。本篇聚焦两种图像宇宙：其一，楚图——人物御龙、龙凤交游、云气召神；其二，汉图——天地三界、尸寝星行。我们对照两种“帛上升天术”：楚图如咒、如召、如乘风归魂；汉图如典、如制、如礼序安灵。帛，是神之衣，也是魂之梯。文明曾在帛上画天，如今在图中归来。// Silk paintings were never mere "paintings" — they were celestial navigation charts for the soul. This entry focuses on two cosmic visions: the Chu image, where figures ride dragons, phoenixes cross the clouds, and divine vapors rise; and the Han image, where heaven, earth, and the underworld form a structured cosmos with the body at rest and the spirit ascending among the stars. These represent two "silk-bound arts of ascension": the Chu vision as incantation, invocation, and wind-borne return of the soul; the Han vision as canon, order, and ritual repose of the spirit. Silk is both the robe of gods and the ladder of souls — once the ancients painted heaven upon it, and now, through these images, that heaven returns.